Hello! I’m Ci, an Istanbul-based photographer exploring the city’s psychogeography through personal work. I also contribute to publications such as Die Zeit, Der Spiegel, and others.
BIOGRAPHY Ci Demi (he/him — b. 1986, Istanbul, Türkiye) is a photographer based in Istanbul. He studied Italian Language and Literature at Istanbul University. At 28, he discovered photography.
His photographs have been featured in prominent publications like Foam Magazine and the British Journal of Photography. Demi's work has been showcased at renowned festivals and venues, including Les Rencontres d'Arles and Istanbul's Pera Museum.
In 2022, his series "Unutursan Darılmam" (No Offence If You Forget, 2018 - 2024) was selected as the winner of Discovery Awards at Encontros da Imagem photography festival. Onagöre published Demi's debut photobook, "Şehir Fikri" (Notion of a City, December 2022), an eerie portrayal of Istanbul marked by the absence of people, animals, and language. Inspired by Georges Perec's oulipo novel "La Disparition" (A Void, 1969), the book focuses on the city's haunting essence.
His personal work explores the psychogeography of Istanbul, intricately weaving together intimate narratives of the city's landscape with his own lived experiences. While he adopts a documentarian approach to his images (ensuring they are always unaltered and unstaged), his use of colour to convey a “quiet tension” is prominent in his work.
Geo (Licensing) Harvard Business Manager (Licensing) Zeit Online (Editorial) Aposto (Editorial) Harper’s Bazaar Italia (Licensing) 11Freunde (Editorial) Der Spiegel (Editorial) Society (Editorial) Financial Times (Editorial) The New York Times (Editorial) Zeit Magazin (Editorial) Die Zeit (Editorial) Kaos GL (Licensing) Altyazı (Editorial) Frankie Magazine (Editorial)
TR: Kıyamet Gündüz Mü Gelecek Long-term story 2017 - 2019
We sense an approaching catastrophe — ecological problems, terrorist attacks, and more dreadful, unidentifiable dangers whose source we don’t know.
This expectancy, almost fate, is real in the case of Istanbul. ‘Will the World End in the Daytime’ is a series about an earthquake predicted by scientists right after the 1999 Marmara earthquakes.
The series searches for eerie signs and scenes in everyday moments in the overpopulated city that could face destruction at any second, for which government bodies have never properly prepared it.
Using a conceptual and fictional approach, the work tells the story of the earthquake and its aftermath.